Starring:
Rajeev Khandelwal … Raunak Kaul
Soha Ali Khan … Gauri
Mrinalini Sharma … Shonali
Mohan Kapoor … Charlie (as Mohan Kapur)
Yateen Karyaker … Surinder Bhan
Ankur Tewari … Banjo (as Anku Tiwari)
Manu Rishi … ENT Spealist Dr. Manu Rishi Chadha (as Manu Rishi Chadha)
Aqeel … Himself (as DJ Aqeel)
Bani … Herself (as VJ Bani)
Sagar Chavan … Photographer at Press Conference
Siddharath Coutto
Rekha Desai … Smriti Kaul
Saini S. Johray … Interior Designer
Anurag Kashyap … Himself
Kailash Kher … Himself
Soha Ali Khan … Gauri
Mrinalini Sharma … Shonali
Mohan Kapoor … Charlie (as Mohan Kapur)
Yateen Karyaker … Surinder Bhan
Ankur Tewari … Banjo (as Anku Tiwari)
Manu Rishi … ENT Spealist Dr. Manu Rishi Chadha (as Manu Rishi Chadha)
Aqeel … Himself (as DJ Aqeel)
Bani … Herself (as VJ Bani)
Sagar Chavan … Photographer at Press Conference
Siddharath Coutto
Rekha Desai … Smriti Kaul
Saini S. Johray … Interior Designer
Anurag Kashyap … Himself
Kailash Kher … Himself
Director:
Neerav Ghosh
Story:
There’s something irresistible about a heroic triumph, something about an individual overcoming all odds, that appeals to something in every one of us. That appeal is only multiplied, when stories of such triumph leave the pages of fiction, and come into the world of reality, touched by a sense of realism. Perhaps that is why director Neerav Ghosh’s debut effort, ‘Soundtrack‘, makes for such a deeply satisfying watch.
However, let one state at the outset, that while this documentary-like feature film claims to be based on a true story, that, in fact, isn’t quite true. The film is actually an official remake of the 2004 Canadian indie classic, ‘It’s All Gone Pete Tong‘, a similar mockumentary of sorts that spoke of the rise, fall and rise of a fictional Ibiza DJ, Frankie Wilde, with names like DJ Tiesto, Paul Van Dyk and Lol Hammond appearing as talking heads relating Frankie’s story through the film. While the original film has turned into something of a cult touchstone, ‘Soundtrack‘, with a first-timer in Neerav at its helm, still has some way to go before it achieves that sort of success. Where the film does see success, however, is in the way Ghosh manages to Indianise as urbane a story as this subject, and makes it quite relatable.
The film’s plot is almost Beethoven-esque in its scope, and indeed, more than ‘It’s All Gone Pete Tong‘, it is the master composer’s legendary life that ‘Soundtrack‘ will invite direct comparisons with. Smartly, then, Neerav makes Ludwig himself a narrator in the film, peppering the narrative with framed quotes from the composer’s life. keep watching Soundtrack 2011
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